The Story of Film – Episode 15

Notes:

2000 Onwards: Film Moves Full Circle – and the Future of Movies.

  • Swiss Miss (1938) dir. John G. Blystone and Hal Roach
    • Putting a piano in the Swiss Alps, shot on a set with a painted background
      • We know something will go wrong, it always does
  • Blonde Venus (1932) dir. Josef von Sternberg
    • Hollywood at its most playful, absurd, new
  • Employees Leaving the Lumiere Factory (1895) (introduced in Episode 1) dir. Louis Lumière
    • Movies started with this documentary
  • Fahrenheit 9/11 (2004) dir. Michael Moore
    • First time in the story of film that non fiction cinema held it’s own on the big screen
    • One of the biggest box office hits in the history of documentary
    • All they had to do was show the footage, add a commentary, and time stamps
  • The Bourne Supremacy (2004) dir. Paul Greengrass
    • Film above made the same amount of money as this one
    • Filmed more like a documentary, the director came from documentary’s
  • Être et avoir (2002) dir. Nicolas Philibert
  • Zidane – A Portrait in the 21st Century (2006) dir. Douglas Gordon and Philippe Parreno
    • Documentary
    • Used extra long lenses to film a football match
      • Follows one player, not the overall match, we see his thoughts as subtitles, although he never speaks
  • The Assassination of Jesse James by the Coward Robert Ford (2007) dir. Andrew Dominik
    • Shallow focus, no attempt to computerize the images
  • Way Down East (1920) (introduced in Episode 1) dir. D. W. Griffith
    • Film above has the delicate photo-realism of this film
  • Climates (2006) dir. Nuri Bilge Ceylan
    • Shot digitally
    • A hotel room, a wife in close up, the drip of water on the soundtrack
      • We cut to her older husband, his face half obscured
      • Lots of mysterious focus shots
    • Sad film about marriage
  • The Death of Mr. Lazarescu (2005) dir. Cristi Puiu
    • New Romanian cinema
    • Passionately showed that we are all in this scary new century together
  • The Headless Woman (2008) dir. Lucrecia Martel
    • Argentinian film
    • Static camera with one shot shows woman in her car, reaching for her ringing phone, accidentally hitting something, pulling over, trying to calm herself down, then driving off
    • The camera stays in the car as she stops again, gets out, leaves the shot
    • We see her keep secrets from her family and from herself throughout the film
    • Hauntingly unglossy movie
  • Battle in Heaven (2005) dir. Carlos Reygadas
    • Close up of a dark hand holding a light-skinned one
    • When they are shown having sex, the camera travels up and we see a single uninterrupted over 3 minute long crane shot showing people repairing a satellite dish, and other homes
  • Oasis (2002) dir. Lee Chang-Dong
    • A man who is just out of prison is dominating the conversation at the dinner table
      • He has brought with him a young woman with cerebral palsy, it is uncomfortable
  • Memories of Murder (2003) dir. Bong Joon-ho
    • A cereal killer has killed 10 Korean women, which is a true story
    • A cop is looking for the killer, he seems haunted by the memory of the murder
    • A girl then approaches him, and reveals that she may have seen the murderer
      • A conversation, simply shot
    • All through the film, the detective has been looking for this kind of breakthrough, and now that he finally gets it, it’s just ordinary, it doesn’t give him anything
  • Oldboy (2003) dir. Park Chan-wook
    • Film based off Japanese manga cartoon book
    • The camera keeps its distance on a dolly during the fight
  • Le Voyage dans la lune (1902) (introduced in Episode 1) dir. Georges Méliès(Although Mark Cousins and the title on the screen indicate that the scene being shown is from La lune à un mètre, the scene is actually from Le Voyage dans la lune.
    • One of the first science fiction films
  • Mulholland Dr. (2001) dir. David Lynch
    • A girl falls asleep and dives down into her own consciousness
    • Then the girl grows up, falls in love with another girl, and gets so jealous she hires a hit-man to kill her
      • Another man is there, and it is as if he is seeing her commit the crime, the thought-crime
    • So innovative because it was the wizard of oz plunging into a black rabbit hole
  • Requiem for a Dream (2000) dir. Darren Aronofsky
    • Looked at people on drugs
    • Movie about how drugs distort the world
  • Songs from the Second Floor (2000) dir. Roy Andersson
    • Man has burned down his business and is on the train, the walls a bad green, but suddenly heightened, like a musical fantasy
    • In the ending, symbols of religion are being dumped into a wasteland beyond the city
      • Uncut shot lasts for minutes, and then people stand up from the field, like the day of judgement, they have been there all along
  • Way Out West (1937) dir. James W. Horne
    • Previous director fan of this
  • Indiscreet (1958) (introduced in Episode 5) dir. Stanley Donen
  • Rules of Attraction (2002) dir. Roger Avary
    • We feel in the middle of this flirtatious conversation
  • Avatar (2009) dir. James Cameron
    • CGI really helped make this movie
    • In real life, the man is a marine and cannot walk, but he runs in his avatar body
    • The faces were filmed for realistic facial expressions
    • Managed to insert the mystery of human thinking and emotion into a digital animation
  • Motion Capture Mirrors Emotion (2009) dir. Jorge Ribas
  • Tropical Malady (2004) dir. Apichatpong Weerasethakul
    • Backdrop so still it looks almost painted
    • The film then seems to break down, it goes to black, restarts, we see a man in the dark, looking up at a tree lit by fireflies
      • We learn that his friend is now a tiger, and he must hunt him
      • The film seems to have been reincarnated, from a naturalistic tale of friendship, to a tale of hunting and hunted
  • Mother and Son (1997) dir. Alexander Sokurov
    • Russian cottage in the countryside, mother is dying, her son tends to her, she is happy dying in his arms
    • Many critics feel this is one of the best films of its time
  • Russian Ark (2002) dir. Alexander Sokurov
    • A ball from older times, they flow down the steps like a river, but we feel when they leave their heads will be cut off by young men waiting, they are going to slaughter and it is unavoidable
      • There was nothing noble about the slaughter, just violent, disgusting
    • Director saw the film as the last breath of this society
      • Because of that, filmed it all in one take, there is but one cut in the entire movie
  • In One Breath: Alexander Sokurov’s Russian Ark (2003) dir. Knut Elstermann
    • Documentary footage from when the film above was finished

Epilogue the Year 2046

The Story of Film – Episode 14

Notes:

The 1990s: The First Days of Digital – Reality Losing Its Realness in America and Australia.

  • Gladiator (2000) dir. Ridley Scott
    • Digital cinema, overhead shot as if camera was on a helicopter, but all created digitally
  • Intolerance (1916) (introduced in Episode 1) dir. D. W. Griffith
    • Put camera on crane to get opening shot
  • Terminator 2: Judgment Day (1991) dir. James Cameron
    • Scanned a photgraphed image and then painted silver metal over it and made different movements, to make the man look like he turned into mercury
    • Before, digital characters were cartoon characters, two dimensional, not real
  • Anchors Aweigh (1945) dir. George Sidney
    • Two dimensional mouse dancing with person
  • Gertie the Dinosaur (1914) (introduced in Episode 4) dir. Winsor McCay
    • One of the first animations
  • Jurassic Park (1993) (introduced in Episode 11) dir. Steven Spielberg
    • Reflections on the floor of the feet of the t-rex, looks very real
  • Titanic (1997) (introduced in Episode 5) dir. James Cameron
    • We see the sinking ship as if it had actually been photographed
  • Toy Story (1995) dir. John Lasseter
    • First mainstream feature film to be made entirely of CGI
    • Allowed deep staging and shots that were hard to get in real life
  • The Blair Witch Project (1999) dir. Daniel Myrick and Eduardo Sánchez
    • Shot on low tech digital video
    • Marketed on the internet
  • House of Flying Daggers (2004) (introduced in Episode 12) dir. Zhang Yimou
    • A blind dancer
    • A man flicks a bean at the drums to confuse her, we see the bean and track it as it hits drums
    • The bean is computer generated
    • The man throws a CGI plate at her, she wields a CGI sword at him
    • Allowed us to see things in a way we hadn’t before
  • Goodfellas (1990) dir. Martin Scorsese
    • About gangsters
    • This gangster looks right into the camera
  • The Great Train Robbery (1903) dir. Edwin S. Porter
  • The Killers (1946) dir. Robert Siodmak
    • Two killers are about to do a hit
    • The shot is dark, the shadows from German expressionism
    • They are quiet
  • Pulp Fiction (1994) dir. Quentin Tarantino
    • Two killers about to do a hit
    • They talk a lot
    • The shot is a lot lighter
    • Both more real and less real than life at the same time
  • Reservoir Dogs (1992) dir. Quentin Tarantino
    • Long lens, wearing black glasses, man shoots the police with two guns
    • Climax shot of three thieves pulling guns on each other, one police officer on the ground bleeding
  • City on Fire (1987) dir. Ringo Lam
    • Long lens, wearing black glasses, man also shoots the police with two guns, an inspiration for the shot above, very similar shots
    • Same with the second shot described above, the exact same in this film, wide shots and then close ups, three thieves, police officer on the ground, in the climax of the film
  • Bande à Part (1964) dir. Jean-Luc Godard
    • Tarantino used A Band Apart as the name for his production company
  • Natural Born Killers (1994) dir. Oliver Stone
    • Tarantino wrote the screenplay
    • Mash up of styles, no one type of image to capture the truth, fragmented multiple realities
  • Miller’s Crossing (1990) dir. Joel Coen and Ethan Coen
    • A hat falls into the foreground, the trees in the background out of focus
      • The wind blows the hat farther away, backwards, but the focus follows it and we see the leaves and the trees in the background fall into focus
  • The Hudsucker Proxy (1994) dir. Joel Coen and Ethan Coen
    • A little man caught up in events he doesn’t understand
  • O Brother, Where Art Thou? (2000) dir. Joel Coen and Ethan Coen
    • George Clooney played a similar “trespasser” in this movie
    • Clooney wide eyes, clueless
  • The Big Lebowski (1998) dir. Joel Coen and Ethan Coen
    • Surreal design, fondness for old Hollywood
  • My Own Private Idaho (1991) dir. Gus Van Sant
    • Was about a young hustler
    • To show what the man felt like when he had an organism, the director showed a barn crashing into a landscape
      • Never had sex been shown in this imaginative way before
    • Film full of empty landscape shots, golden lighting, the empty road
  • The Shining (1980) dir. Stanley Kubrick
    • One singular alone beautiful shot, like the barn in the film above
  • Elephant (2003) dir. Gus Van Sant
    • Shot in 4 by 3 ratio
    • Needless violence, about a school shooting
  • Elephant (1989) dir. Alan Clarke
    • Used a steady camera to show the glide-like walking of gun men in Ireland
  • Gerry (2002) dir. Gus Van Sant
    • Filmed like in videogames, no cutting, you have to walk from point A to point B
    • Obsession with the beauty of walking
  • Sátántangó (1994) (introduced in Episode 5) dir. Béla Tarr
  • Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) dir. Chantal Akerman
    • Full of fixed shots
    • Filmed square on, in domestic places like kitchens
  • Last Days (2005) dir. Gus Van Sant
    • Some shots remarkably similar to film above
  • Psycho (1960) (introduced in Episode 8) dir. Alfred Hitchcock
    • Original, based off a real story
  • Psycho (1998) dir. Gus Van Sant
    • Based off the previous film
    • Departed from the original with only tiny details
    • This version became devoid of the original dark underlying tensions
    • “Became an example of how you can’t really copy something” because of the different intentions and such, -Director
  • Cremaster 3 (2002) dir. Matthew Barney
    • Director used to work in sports
    • Worked up a sweat making his movies as well
    • He is filmed rock climbing
    • Film overloaded with symbolism
    • Similar to the determination of man climbing building in film below
  • Safety Last! (1923) (introduced in Episode 2) dir. Fred C. Newmeyer and Sam Taylor
  • RoboCop (1987) dir. Paul Verhoeven
    • Businessmen want to make money by launching this new mechanical cop, but it turns on them
    • They try again, and come up with a more liberal version
    • Satirical script
  • Starship Troopers (1997) dir. Paul Verhoeven
    • Even more satirical about the threat to humans by alien bugs
      • The bugs were all computer generated
    • Decided never to let on who was the bad or good guys
    • In the ending, the “queen” bug is tied up, humiliated
      • A man puts his hand on it and cries out “it’s afraid” and everyone starts cheering
  • An Angel at My Table (1990) dir. Jane Campion
    • About a shy young woman training to be a teacher
    • She is standing in front of the class, and a trainer, and a person who is going to asses her
      • She freezes at the chalkboard, has a panic attack, we focus on a close up shot of the chalk
  • The Piano (1993) dir. Jane Campion
    • The child is looking through her fingers, they look like read curtains about to open
    • Only film directed by a woman to win a certain award at a film festival
  • Romeo + Juliet (1996) dir. Baz Luhrmann
    • Director defined the first days of digital cinema
    • Director collection of history of film, lots of inspiration and fondness for Bollywood, Shakespeare
    • Hyperactive version of Shakespeare’s Romeo and Juliet
    • Leonardo De Caprio played Romeo
    • Translated to modern American times
    • Comic dialogue
    • Knights have become street kids in Hawaiian shirts
  • Moulin Rouge! (2001) dir. Baz Luhrmann
    • Fashion, cross-dressing, kaleidoscope